It looked like The Big "A" had been bested by Hurricane Irene when the Fringe Festival's final weekend was cancelled, but Dan Horrigan won't be stopped that easily. The Big "A" is getting one more performance on September 1st as part of the FringeNYC Make-Up Series.
AT HAND THEATRE COMPANY PRESENTS
THE BIG "A"
Written by Dan Horrigan
Directed by Matthew DiCarlo
The Laurie Beechman Theatre
407 West 42 Street
...
Armed with only his wit, Dan Horrigan does battle with evil bosses, giant hairy nipples, sassy nurses, and living with HIV... all while searching for the perfect set of kitchenware. Come and find out if laughter really is the best (anti-retroviral) medicine!
From NY Daily News: "People have told me I'm funny," he says. "But what if I could make people laugh and challenge them by talking about something that's difficult. Being positive is a very different situation than in the '80s. But there's still shame and stigma. The story is about a person who is growing up and confronting things."
"Run, don't walk to see The Big "A"... Dan shares his story with passion, razor sharp comedic timing and gentleness." - nytheatre.com
"Dan knows how to hold your attention for 70 minutes with his amazing mixture of humor and heart!" - adamubellesquest.com
THURSDAY, SEPTEMBER 1st @ 7:00PM
Tickets $15 plus food and drink! https://web.ovationtix.com/trs/pr/871005
Writer / Performer: Dan Horrigan
Director: Matthew DiCarlo
Stage Manager: Shelley Miles
Lighting Design: Josh Bradford
Producer: Justin Scribner
Associate Producer: Nick Catania
Company Manager: Laura Wright
Monday, August 29, 2011
Redd Tale Theatre Company Presents Its Take on Mary Shelley's Frankenstein in Two One-Acts
By Byrne Harrison
Reposted from StageBuzz.com
As part of their "Summer of Creation," Redd Tale Theatre Company breathes life into a pair of one-act plays inspired by Mary Shelley's "Frankenstein."
The first, Frankenstein With Mary Shelley, is an adaptation of Shelley's work by Virginia Bartholomew, who also performs the piece. This outstanding one-person play has Bartholomew at turns playing Shelley, Victor Frankenstein and his Creation, as Shelley recounts how the story came to be and brings it to life for her audience. Bartholomew is a versatile actor and seamlessly moves from character to character, bringing a remarkable depth to her performance. Her tormented Creation is particularly moving and effective.
Ably directed by Redd Tale Artistic Director Will Le Vasseur, Frankenstein With Mary Shelley is a wonderfully atmospheric piece, dark and somewhat creepy. Le Vasseur's set and Jason Richard's lighting for the show successfully recreates the feel of a dark drawing room where supernatural things are bound to occur.
Across the board an excellent play, Frankenstein With Mary Shelley will no doubt be brought back for future productions (and if that isn't already in the works, it should be).
The second play of the evening is Gabriel, Will Le Vasseur's take on the Frankenstein story. In it Le Vasseur plays Henry, an exceedingly wealthy man with a scientific bent, who discovers an astounding secret in human DNA. With the unwitting help of his colleagues Susan and Pierce (Cameran Hebb and James Stewart), he is able to leapfrog human evolution by 2 million years. The result is Gabriel - not a monster, but like Shelley's original, something unique, out of place and lonely. To add to the sense of otherworldliness, Gabriel is played by two actors; Michael Wetherbee, who performs Gabriel onstage and Michael Komala, who voices the telepathic Gabriel from offstage. It takes some getting used to, but it is an effective portrayal.
Le Vasseur's Gabriel is intriguing and does a good job of bringing the Frankenstein story out of the age of electricity and reanimated corpses and into the modern era of molecular biology and space travel. The exploration of the ethical implications of creating something so different and strange is fascinating and well thought out by Le Vasseur, not to mention his exploration of the bonding that occurs between creator and creation, between a lonely man and the lost soul that he has brought to life.
The acting in the piece is strong, with particular praise going to Wetherbee for his child-like Gabriel, and Hebb for her comic timing. Michael Komala does an excellent job with a potentially difficult part (playing a disembodied voice is no doubt challenging). Stewart and Le Vasseur acquit themselves well, as usual, with Le Vasseur doing particularly effective work with Henry's longing - whether it be for love or to create a legacy.
With the loss of Nicu's Spoon Theatre, this will be the last full performance from Redd Tale this year (though I hold out hope that they will continue their one-off sci-fi movie festivals, radio shows, etc., until they find a new performance space), but they will be back with full productions in 2012.
Frankenstein With Mary Shelley
Adapted by Virginia Bartholomew
Directed and Edited by Will Le Vasseur
Featuring: Viriginia Bartholomew (Mary Shelley/Victor/Creation)
Gabriel
Written by Will Le Vasseur
Directed by Lynn Kenny
Featuring: Will Le Vasseur (Henry), Cameran Hebb (Susan), James Stewart (Pierce), Michael Komala (Gabriel's Voice) and Michael Wetherbee (Gabriel)
Set/Lighting/Website Design - Will Le Vasseur
Stage Manager - Brittany Ray
Assistant Stage Manager - Michael Komala
Poster Design - Graeme Offord
Ligting Design/Production Photos - Jason Richards
Reposted from StageBuzz.com
As part of their "Summer of Creation," Redd Tale Theatre Company breathes life into a pair of one-act plays inspired by Mary Shelley's "Frankenstein."
The first, Frankenstein With Mary Shelley, is an adaptation of Shelley's work by Virginia Bartholomew, who also performs the piece. This outstanding one-person play has Bartholomew at turns playing Shelley, Victor Frankenstein and his Creation, as Shelley recounts how the story came to be and brings it to life for her audience. Bartholomew is a versatile actor and seamlessly moves from character to character, bringing a remarkable depth to her performance. Her tormented Creation is particularly moving and effective.
Ably directed by Redd Tale Artistic Director Will Le Vasseur, Frankenstein With Mary Shelley is a wonderfully atmospheric piece, dark and somewhat creepy. Le Vasseur's set and Jason Richard's lighting for the show successfully recreates the feel of a dark drawing room where supernatural things are bound to occur.
Across the board an excellent play, Frankenstein With Mary Shelley will no doubt be brought back for future productions (and if that isn't already in the works, it should be).
The second play of the evening is Gabriel, Will Le Vasseur's take on the Frankenstein story. In it Le Vasseur plays Henry, an exceedingly wealthy man with a scientific bent, who discovers an astounding secret in human DNA. With the unwitting help of his colleagues Susan and Pierce (Cameran Hebb and James Stewart), he is able to leapfrog human evolution by 2 million years. The result is Gabriel - not a monster, but like Shelley's original, something unique, out of place and lonely. To add to the sense of otherworldliness, Gabriel is played by two actors; Michael Wetherbee, who performs Gabriel onstage and Michael Komala, who voices the telepathic Gabriel from offstage. It takes some getting used to, but it is an effective portrayal.
Le Vasseur's Gabriel is intriguing and does a good job of bringing the Frankenstein story out of the age of electricity and reanimated corpses and into the modern era of molecular biology and space travel. The exploration of the ethical implications of creating something so different and strange is fascinating and well thought out by Le Vasseur, not to mention his exploration of the bonding that occurs between creator and creation, between a lonely man and the lost soul that he has brought to life.
The acting in the piece is strong, with particular praise going to Wetherbee for his child-like Gabriel, and Hebb for her comic timing. Michael Komala does an excellent job with a potentially difficult part (playing a disembodied voice is no doubt challenging). Stewart and Le Vasseur acquit themselves well, as usual, with Le Vasseur doing particularly effective work with Henry's longing - whether it be for love or to create a legacy.My only issues with Gabriel have to do with its length and the juxtaposition of this play and Frankenstein With Mary Shelley. Frankenstein With Mary Shelley draws much of its atmosphere from Gothic horror. Gabriel is a much lighter piece, with dry humor and even some moments of farce (there is a wonderful bit of comedy between Hebb and Stewart after Hebb's Susan is accidentally put into sexual overdrive by Gabriel's telepathy). This is a stark contrast to the creepy and intimate Frankenstein With Mary Shelley, and it is a bit jarring, even with the intermission between the two pieces.
But more to the point, Gabriel is a bit overstuffed. Le Vasseur has a lot that he wants to explore in the play, and as a result some of the show, especially the love story between Henry and Gabriel, feels rushed. This is not to say that Gabriel needs to be cut, rather that Gabriel deserves to be explored and nurtured into something larger. I, for one, would like to see a full-length version of this play where Le Vasseur has time to fully explore his characters and themes.
With the loss of Nicu's Spoon Theatre, this will be the last full performance from Redd Tale this year (though I hold out hope that they will continue their one-off sci-fi movie festivals, radio shows, etc., until they find a new performance space), but they will be back with full productions in 2012.
Frankenstein With Mary Shelley
Adapted by Virginia Bartholomew
Directed and Edited by Will Le Vasseur
Featuring: Viriginia Bartholomew (Mary Shelley/Victor/Creation)
Gabriel
Written by Will Le Vasseur
Directed by Lynn Kenny
Featuring: Will Le Vasseur (Henry), Cameran Hebb (Susan), James Stewart (Pierce), Michael Komala (Gabriel's Voice) and Michael Wetherbee (Gabriel)
Set/Lighting/Website Design - Will Le Vasseur
Stage Manager - Brittany Ray
Assistant Stage Manager - Michael Komala
Poster Design - Graeme Offord
Ligting Design/Production Photos - Jason Richards
Thursday, August 25, 2011
Del Shores: More Sordid Confessions To Play This Friday at The Laurie Beechman
Del Shores, creator of the cult favorite TV series Sordid Lives (starring Olivia Newton-John, Rue McClanahan, Leslie Jordan and Caroline Rhea), brings his hilarious standup back to New York City. On August 26, The Laurie Beechman Theater presents DEL SHORES: MORE SORDID CONFESSIONS for one night only.
Whether he's recalling details of his "slut" years or calling out the assholes and bitches he's worked with, there is no subject off-limits in DEL SHORES: MORE SORDID CONFESSIONS. "Del says what most people think. He has no censor -- on or offstage. Audiences love him because of his ‘bless-their-hearts’ Texas charm," explains Caroline Rhea. "Look, I'm on Paxil and I don't give a shit anymore," Shores warns.
Del Shores is a writer, director, producer, activist and comic. His career took off with the 1987 play Daddy’s Dyin’ (Who’s Got The Will?) and the subsequent 1990 film. He is best known for his 1996 play Sordid Lives which became a film in 1999 and later gave birth to an acclaimed 2008 TV series for Logo. His other plays include Southern Baptist Sissies, The Trials and Tribulations of a Trailer Trash Housewife and mostly recently Yellow, which was just nominated for three Ovation Awards, including one for Shores for Best World Premiere. His work has garnered countless other awards including GLAAD Media Award, NAACP Award, Los Angeles Drama Critics Circle Award, Back Stage West Garland Award, Ovation Award, Drama-Logue Award and LA Weekly Award (including their 2006 Career Achievement Award). Shores has also written for TV shows including Queer As Folk, Dharma and Greg and Ned and Stacey. In 2006 he was given a star on the Palm Springs Walk of Stars. He is married to actor/Billboard Top 20 recording artist Jason Dottley and is the father of two daughters.
DEL SHORES: MORE SORDID CONFESSIONS will be presented Friday, August 26 at 7:30pm. The Laurie Beechman Theatre (inside West Bank Cafe at 407 West 42nd Street -- at Ninth Avenue, accessible from the A,C,E,N,R,V,F,1,2,3 trains at 42nd Street). Tickets are $18 with a $15 food/drink minimum per person, available at 212-352-3101 or http://www.spincyclenyc.com/. Or click here for tickets.
Whether he's recalling details of his "slut" years or calling out the assholes and bitches he's worked with, there is no subject off-limits in DEL SHORES: MORE SORDID CONFESSIONS. "Del says what most people think. He has no censor -- on or offstage. Audiences love him because of his ‘bless-their-hearts’ Texas charm," explains Caroline Rhea. "Look, I'm on Paxil and I don't give a shit anymore," Shores warns.
Del Shores is a writer, director, producer, activist and comic. His career took off with the 1987 play Daddy’s Dyin’ (Who’s Got The Will?) and the subsequent 1990 film. He is best known for his 1996 play Sordid Lives which became a film in 1999 and later gave birth to an acclaimed 2008 TV series for Logo. His other plays include Southern Baptist Sissies, The Trials and Tribulations of a Trailer Trash Housewife and mostly recently Yellow, which was just nominated for three Ovation Awards, including one for Shores for Best World Premiere. His work has garnered countless other awards including GLAAD Media Award, NAACP Award, Los Angeles Drama Critics Circle Award, Back Stage West Garland Award, Ovation Award, Drama-Logue Award and LA Weekly Award (including their 2006 Career Achievement Award). Shores has also written for TV shows including Queer As Folk, Dharma and Greg and Ned and Stacey. In 2006 he was given a star on the Palm Springs Walk of Stars. He is married to actor/Billboard Top 20 recording artist Jason Dottley and is the father of two daughters.
DEL SHORES: MORE SORDID CONFESSIONS will be presented Friday, August 26 at 7:30pm. The Laurie Beechman Theatre (inside West Bank Cafe at 407 West 42nd Street -- at Ninth Avenue, accessible from the A,C,E,N,R,V,F,1,2,3 trains at 42nd Street). Tickets are $18 with a $15 food/drink minimum per person, available at 212-352-3101 or http://www.spincyclenyc.com/. Or click here for tickets.
Thursday, July 21, 2011
NYC: Broadway Stands Up for Freedom
Save the date for Broadway Stands Up for Freedom, the annual star-studded concert to support the youth programs of the New York Civil Liberties Union.
7:30 p.m. Monday, July 25, 2011
Skirball Center for the Performing Arts
566 LaGuardia Pl. at Washington Square South
Performers Include...
• Tony Winner Beth Leavel (Baby it’s You!, The Drowsy Chaperone)
• Tony Winner Nikki M. James (The Book of Mormon)
• Tony Nominee Andrew Rannells (The Book of Mormon)
• Tony Nominee Moisés Kaufman (The Laramie Project, Bengal Tiger)
• Tony Nominee Celia Keenan-Bolger
• Tony Nominee Gavin Creel (Hair)
• Tony Nominee Daphne Rubin-Vega (Rent)
• Tony Nominee De'Adre Aziza (Passing Strange)
• Tony Nominee John Tartaglia (Avenue Q, Shrek)
• Gbenga Akinnagbe (The Wire, Nurse Jackie)
• Nellie McKay (Get Away From Me)
• Krysta Rodriguez (Addams Family)
• Lindsay Mendez (Everyday Rapture, Grease)
• Carly Rose Sonenclar
• Erich Bergen (Jersey Boys)
• Kyra Da Costa (Baby It's You!)
• Crystal Starr Knighton (Baby It's You!)
• Christina Sajous (Baby It's You!)
• Liana Stampur
• Clinton Curtis
• The Bengsons
• Gray Reindhard
• Kate Ferber
• Marcelo Arias
• Justin Goldner
To purchase tickets, click here.
7:30 p.m. Monday, July 25, 2011
Skirball Center for the Performing Arts
566 LaGuardia Pl. at Washington Square South
Performers Include...
• Tony Winner Beth Leavel (Baby it’s You!, The Drowsy Chaperone)
• Tony Winner Nikki M. James (The Book of Mormon)
• Tony Nominee Andrew Rannells (The Book of Mormon)
• Tony Nominee Moisés Kaufman (The Laramie Project, Bengal Tiger)
• Tony Nominee Celia Keenan-Bolger
• Tony Nominee Gavin Creel (Hair)
• Tony Nominee Daphne Rubin-Vega (Rent)
• Tony Nominee De'Adre Aziza (Passing Strange)
• Tony Nominee John Tartaglia (Avenue Q, Shrek)
• Gbenga Akinnagbe (The Wire, Nurse Jackie)
• Nellie McKay (Get Away From Me)
• Krysta Rodriguez (Addams Family)
• Lindsay Mendez (Everyday Rapture, Grease)
• Carly Rose Sonenclar
• Erich Bergen (Jersey Boys)
• Kyra Da Costa (Baby It's You!)
• Crystal Starr Knighton (Baby It's You!)
• Christina Sajous (Baby It's You!)
• Liana Stampur
• Clinton Curtis
• The Bengsons
• Gray Reindhard
• Kate Ferber
• Marcelo Arias
• Justin Goldner
To purchase tickets, click here.
Friday, July 1, 2011
Interview with Jeff Key of "The Eyes of Babylon"
By Byrne Harrison
Jeff Key (playwright/actor) is a former Marine, Iraq war veteran, peace activist and queer civil rights activist. He sits on the Board of Directors for Iraq Veterans Against the War and is the founding board member of The Mehadi Foundation, which provides support for returning veterans and develops philanthropic projects; specifically, clean water supplies and other basic necessities in Iraq and Afghanistan. Key is an award-winning playwright, performer and author of The Eyes of Babylon and two other plays in development. He is also the subject of the Showtime documentary Semper Fi. Key lives in Salt Lake City with his husband, Adam, a second-year medical student at the University of Utah.
Tell me a little bit about Eyes of Babylon.
Never heard of it. THE Eyes of Babylon is my solo show. That’s a little writers’ joke there. Tennessee Williams often lamented the constant lopping off of the “the” in front of The Night of the Iguana. He was quoted as saying that a writer spends hours of anguish debating over the placement of a single article or preposition only to have it severed completely in a hastily written press release. I take no offense. I only mention it in hopes that Cousin Tom is somewhere up there enjoying a mint julep and smiling down at me as I struggle along a path he knew all too well.
The play is based on my Iraq War journals. In fact, more than simply based on them, the monologues that appear on stage are pretty much straight out of those sandy pages. I wrote in my journals in present tense while I was in Iraq so the entries lend themselves easily to the sort of Southern storytelling format of the play. With the exceptions of excerpts of three letters, The Eyes of Babylon takes those journal entries in order and allows the audience member to take the journey I took. The three letters in the play are one to my fellow artists and actors back in Hollywood, one to the family of a guy in my unit who died and my coming out letter to my commanding officer. Upon returning from Iraq, because of my growing fury over the Bush Administration’s injurious foreign and domestic policies and because of my unwillingness to continue to serve under the ludicrous “don’t ask, don’t tell” policy, I wrote to my CO and admitted that I was gay thereby forcing the military to discharge me. I then began to speak very publically about my opposition to the occupation of Iraq, about veterans’ issues and about Queer Civil Rights in America. Although I miss the Marine Corps every single day, I have never regretted that decision. At the same time that I sent the letter, I went on CNN’s Paula Zahn, Now and came out of the closet in an interview, thereby saying to five million people what I at one time would not have said to one other person.
The first incarnation of the play was actually my reading it to my fellow Marines in the desert. One day, quite by “accident,” I ended up reading one of the entries I had written about this stray dog to a Marine who had sort of “adopted” the dog. He was very taken with what I had written so he began to ask me each day what I had written. Word spread and soon I was reading to several Marines each day about the things that we were all experiencing together. I think humans naturally use humor to get through hard times so in the journals, as in the play, there is a lot of laughter. I think it helped us all to weather what could be at times a very difficult experience.
The title comes from one of the journal entries. It’s part of an admonition to my fellow Americans back in the states. While at war, as my concerns about the way the war was begin orchestrated grew, I began to question the entire direction in which our nation had begun to travel. I wrote, “ We stand at a crossroads. The choice? To hold true to the principles for which we say we stand, or to go the way of every other military empire in the history of the world. Choose wisely, the eyes of Babylon are upon you.”
What made you decide to adapt your war journals and letters into play?
I felt that I had to speak out. I don’t really like it when people congratulate me on my decision to do so, because I didn’t feel like I had much of a choice. I was pretty sure that keeping quiet about the war and about “don’t ask, don’t tell” was a path to self-destruction. But I wasn’t really interested in debating the war. I was pretty depressed when I got back and the depression only grew as I came to realize that I would have to leave the Marine Corps that I loved if I was to be true to my own conscience. A big part of that was my straight Marine buddy’s unqualified support of me. In so many ways, by becoming a Marine, I had entered the brotherhood that I had always felt eluded me. For the first time in my life, I was accepted among the pack—my sexuality notwithstanding. The commitment of blood that is shared among that Band of Brothers trumps any silly, trite prejudices continually parroted by right-wingers to keep the poor voting against their best interest.
So when people asked about my time in Iraq, I was always say the same thing. “I’ll read to you from my journals.” They all said the same thing: “You have to do something with these. Publish them!” I wasn’t opposed to the idea but the depression kept me paralyzed. I had lost about twenty pounds while I was at war. When I came back, I just lived off coffee, cheeseburgers and cigarettes. The depression was exacerbated by my extreme lack of physical fitness and my extreme lack of physical fitness exacerbated the depression. It was a vicious cycle which I’m sure would sound familiar to many post-deployment servicemembers. I was in a downward spiral and I feared the worse. I was several years sober at the time (and continue to be to this day). If I had thought that taking a drink would have given me some relief, even for a few minutes, I would have done it. But it had been proven to me over and over that drinking simply doesn’t work for me. So I put other things into the hole in my spirit that I once tried to fill with alcohol. Even though I wasn’t drinking, the addictive pattern was still alive and well in my life and was destined to destroy me. I pretty much lived in the sex clubs of Los Angeles or on on-line hook up sights. I ate the unhealthiest foods I could get my hands on. I smoked like a fiend and drank so much coffee it’s a wonder I didn’t have a heart attack. I also would spend any little bit of money I got my hands on on stupid and useless shit just for the few minutes of relief the purchase seemed to bring. I knew I had to do something or I was going to be sucked all the way down. I prayed for help as I had done when I had hit my alcoholic bottom years earlier. I decided that I had to reach out even more to other alcoholics who were living sober lives. Also, getting back into physical shape was a good next step. I went back to the gym.
One day, after a particularly grueling workout, I spotted this smoking-hot guy toweling off in the locker room. In keeping with my “always on the make” lifestyle at that time, I approached him and said hello. When he spoke, I noticed he had a Middle Eastern accent, I asked him where he grew up (a Southerner’s version of “where are you from?”). He said that he lived in New York but had grown up in Tel Aviv. “Oh, I just got back from the Middle East.” I told him. “I went to Iraq as a Marine.” An IDF veteran of the 1982 Israel/Lebanon war and also a gay man himself, he was curious about my experience at war. I said to him what I always said to people when they asked me that, “I don’t really want to talk about it, but I’ll read to you from my journals.” We got dressed and went to a nearby coffee house. This man, Yuval Hadadi, is the prototype for typical Israeli male; brooding, serious, doesn’t wear his feelings on his sleeve. But when I read to him from my journals, he couldn’t conceal his passion for my writing. Even though we had those other experiences in common; war, serving in the military as gay men, it was really his connection to my writing that began the relationship.
I had a degree in Theatre before I ever joined the Marine Corps (I might have been the only Theatre major in the whole USMC!)
Yuval was about to wrap up a film that he had been directing in LA. He said that he would stay on his own dime if I would consent to let him direct me in a solo performance piece using the journals as the script. His belief in me and in my writing helped to start the long process of pulling out of my PTSD paralysis and depression and into action. He kicked my ass. We flirted and fought our way through a six-week rehearsal process until, on a warm October evening in a small theatre in Hollywood, The Eyes of Babylon opened.
Clearly this is a timely topic both with the continuing war in Iraq and Afghanistan, and the recent developments with Don't Ask Don't Tell. I'm interested in your thoughts about the possible repeal of DADT.
Mostly I’m furious. That sounds awful to say and I am forever grateful to the other people who have worked for so long to end this very un-American policy but at the same time I am absolutely astounded that it has taken this long. I certainly don’t think that’s the fault of the good people working so hard to lift the ban. With all the very serious issues facing our nation; multiple wars, a disastrous economy, how the hell can we continue to justify spending so much time and money on something so asinine as forcing people who are willing to give their lives for this ungrateful country to lie about who they are? It is unforgivable and history will look very dimly on those who have fought so hard on the wrong side, just in the ways it looks back unkindly on those who fought so hard against other forms of Civil Rights. America is for all of us. Otherwise, we might as well close up shop.
I have a straight buddy who’s currently deployed to Afghanistan, and yes he really is straight. On opening night when I got to my dressing room, he had sent flowers from a combat zone! Another man who’s deployed there, whom I’ve never met but saw the Showtime documentary about the play (Semper Fi: One Marine’s Journey) found me on Facebook and sent me a message. “I won’t get home from Afghanistan until August but I want to buy my mom a ticket so she can come.” Can you believe that?! What a great son. What a great man. I’ll bet he’s a great Marine as well. Of course I wrote back to him and told him there was no way in hell I was going to let him buy his mother a ticket. She will come as my guest. My own mom is flying from Alabama to see her baby on stage in New York and that’s Marine’s mom will come with her to see it. What an honor it will be to perform to those two women.
As you mentioned, you came out very publicly on CNN. What was that like and what sort of reaction did you get?
You know what? When I walked out of the CNN bureau in Los Angles that day, I felt like the weight of the world had been lifted off my shoulders. And as difficult as it was, I knew that I would never, could never lie about who I was ever again. No one should ever have to hide who he or she is because of the stupidity of other people. There is absolutely nothing wrong with being gay and the viciousness toward young kids who are LGBTQ and have to live day after day in self-loathing and secrecy is unconscionable. On that day, I just kept thinking that maybe there was some twelve year-old version of myself out there watching that interview who could see me and say, “Well he seems to be okay with who he is. Maybe there’s hope for me.”
These kids are our kids and it’s up to us to protect them. I’m all for being (somewhat) patient as Americans continue to gain education around LGBTQ issues but we must never allow that process to take precedence over looking out for the well-being of our precious queer kids. The ignorance of the masses is not the fault of the kids. They deserve an equal chance at life and all the joy it can bring.
If you could offer any advice to someone who is struggling with the decision to come out, what would you say?
I would say that sometimes the feared repercussions of coming out are real. Unfortunately some people based on their lack of understanding will withdraw from us. But the ones that matter don’t mind and the ones that mind don’t matter. Even some who have a rough time with our becoming honest will ultimately come around. When I came out to my parents, my mother said, “You can’t expect us to accept this” and my dad said, “You know what the bible says about that.” But over time they grew in understanding, and ultimately they were in my wedding along with my straight Marine buddies who performed the famed “arch of swords” as Joan Baez sang “Gracias a la Vida.” It really does get better.
My ongoing recovery from alcoholism has taught me the great value in reaching out to others who have gone down that path before me. The same goes for when people decide to live their lives honestly regarding their sexuality. Seek out people who’ve gone through the experience themselves and let their wisdom and love carry you through.
We care about you! Your other family is waiting for you.
You're active with Iraq Veterans Against the War and are the founding board member of The Mehadi Foundation. Tell me a little bit about these organizations and your involvement with them.
I was one of the early members of Iraq Veterans Against the War. I love those people with all my heart and have been on the front lines of the peace movement with them for years. It takes great courage to speak out, especially when it is unpopular to do so. IVAW has three “points of unity,” 1) To bring the troops home now, 2) take care of them when they get here and 3) make reparations to the innocent civilians in Iraq and Afghanistan who have suffered because of the US invasions and occupations. I still very much support these points of unity. I do have a concern for the organization as well as for the “left-wing” in America in general. I came to the anti-war movement because I believed (and still do believe) that America’s war policy in Iraq was dangerous, illegal under the Geneva Conventions and immoral. I care very deeply for our troops and to me, their lives were being squandered for monetary gain. But as soon as I went public on this issue, I noticed that I was being “pulled” toward some platforms that do not reflect my point of view. I can see the injury that unrestricted capitalism causes, but I am also not a communist. I don’t trust the government with the money and power we give them now. (They’ve proven they cannot me trusted.) Why in the hell would I want to afford them more money and power? Also, when I was a little boy, I can remember coming up on roadblocks set up to raise money for the Ku Klux Klan. I mean there were literally men standing there in their white sheet costumes taking up money to help spread their message of hate! I just sat there in the back seat and shook and hoped they couldn’t see my homosexuality. A lot of their hatred was directed toward blacks but they also had a blanket contempt for gays and Jews. In the 90s the anti-Semitic/homophobic voice found its home in the neo-Nazi/skinhead movement. In 2011, I have to question where that voice is now. I know that vicious anti-gay rhetoric floods continuously from the pulpits of right-wing Christian fundamentalist churches but where is that voice that wants the destruction of Israel and calls for the killing of Jews? I believe it has found a comfortable home hidden away in the comfortable guise of advocating for the Palestinians. Now don’t get me wrong, I’m an advocate for the Palestinians as well and would love to see an end to their suffering. I also know that Israel (like my own nation) has committed horrible atrocities, mostly out of fear (again, like my own nation.) But I do not want to see the nation of Israel destroyed. In fact, as a gay man who’s people died alongside the Jews in the camps in Europe during the Holocaust, I’ll be damned if I’m going to start fighting on the wrong side. Compare life for gays in Tel Aviv to life for gays in Tehran. There is no comparison. The way to helping the Palestinians is definitely not by granting legitimacy to organizations who advocate for the execution of gay people. Hamas, Fatah, the Hezbollah and The Palestinian Authority all do. When they come for me and my Jewish friends this time to disappear us away to death camps, they will meet me at the end of my 2nd Amendment. I know that makes me a bad “peace activist” but that’s the way it is. And I don’t care who in the American left gets pissed off to hear me say so.
There is a resolution which will come to a vote at the Iraq Veterans Against the War convention in August which calls for Israel to return to 1948 borders. If it passes, I will resign from the Board of Directors and leave the organization. (http://www.ivaw.org/)
The Mehadi Foundation is named for a young Iraq boy I met while deployed there. His spirit of hope in great adversity to me symbolized all that I wanted my charity foundation to stand for. We have two missions. 1) To support veterans of the Iraq and Afghanistan Wars and 2) to support philanthropic/humanitarian efforts to help the innocent civilians in those two countries who have suffered so immeasurably over the last ten years. The main way we aspire to help the veterans (especially those who have begun to self-medicate PTSD with drug, alcohol and process addiction) is to teach creativity as a healing practice. In other words, I want to help them to learn to do what I have done; tell their own story through some creative outlet. It has been my salvation. We also want to get the vets involved in fulfilling the second part of our mission. Helping those who’ve suffered seems to provide solace for those who were involved in causing that suffering. That coupled with the “simple” benefit of helping others makes for a wonderful experience. We have gotten badly needed water filter into schools and provided wheelchairs for those who would otherwise have no access to them. Our dream is to continue to grow in our ability to help with regard to both sides of our mission. We are an IRS recognized 501(c)3 and survive by the donations of those who believe in what we stand for. http://www.mehadifoundation.org/
You have the play and your nonprofit work. What else is going on in your life?
About seven years ago, I decided to stop looking for the man of my dreams and become him instead. I came to a place where I was tired of looking for someone to “complete” me. I am complete person on my own and I think any person who brings “part of a person” to a relationship in hopes that it will complete him, dooms the relationship from the start. I began to love who I was. It wasn’t long after that that I meant Adam Nelson. (The story of our meeting could make for an entire interview so I won’t go into it here.) He is the kind of man that, every single day I look at him and say, “Really?! He’s really mine?” He is my best friend, my biggest fan, he welcomes my support as he pursues his goals and dreams of becoming a physician. He’s a third-year medical student at the University of Utah in Salt Lake where we live with our four-legged, furry babies. I basically commute to New York as I pursue my goals and dreams as a writer, actor and travel the nation as an activist. We’re hoping that he will be able to do his residency in New York so we can be together all the time again. It’s hard, but our marriage is forged in fire so I think we’ll make out just fine. Incidentally, I think he is the sexiest man alive and I’m getting turned on just writing about him.
If you could say anything to your potential audience, what would it be?
I would say stop being a “potential” audience member and become and audience member. This play is my love letter to the world. It’s what I learned as I walked through war. Please don’t let that be wasted. I’m a man of meager means but I care about humanity. I care about what happens to my country and to all people. We go up against big budget productions who have millions for advertising and we depend on word-of-mouth and the press to fill the seats. If you care about peace, if you care about what’s happening to our troops and if you care at all about “don’t ask, don’t tell” and LGBTQ Civil Rights in general, please take the time to stop in and hear what I have to say. I can promise you a lot of laughs along the way and hopefully you’ll leave feeling inspired to keep marching forward with the rest of us who knew that the brightest days are still ahead.
Jeff Key (playwright/actor) is a former Marine, Iraq war veteran, peace activist and queer civil rights activist. He sits on the Board of Directors for Iraq Veterans Against the War and is the founding board member of The Mehadi Foundation, which provides support for returning veterans and develops philanthropic projects; specifically, clean water supplies and other basic necessities in Iraq and Afghanistan. Key is an award-winning playwright, performer and author of The Eyes of Babylon and two other plays in development. He is also the subject of the Showtime documentary Semper Fi. Key lives in Salt Lake City with his husband, Adam, a second-year medical student at the University of Utah.
Tell me a little bit about Eyes of Babylon.
Never heard of it. THE Eyes of Babylon is my solo show. That’s a little writers’ joke there. Tennessee Williams often lamented the constant lopping off of the “the” in front of The Night of the Iguana. He was quoted as saying that a writer spends hours of anguish debating over the placement of a single article or preposition only to have it severed completely in a hastily written press release. I take no offense. I only mention it in hopes that Cousin Tom is somewhere up there enjoying a mint julep and smiling down at me as I struggle along a path he knew all too well.
The play is based on my Iraq War journals. In fact, more than simply based on them, the monologues that appear on stage are pretty much straight out of those sandy pages. I wrote in my journals in present tense while I was in Iraq so the entries lend themselves easily to the sort of Southern storytelling format of the play. With the exceptions of excerpts of three letters, The Eyes of Babylon takes those journal entries in order and allows the audience member to take the journey I took. The three letters in the play are one to my fellow artists and actors back in Hollywood, one to the family of a guy in my unit who died and my coming out letter to my commanding officer. Upon returning from Iraq, because of my growing fury over the Bush Administration’s injurious foreign and domestic policies and because of my unwillingness to continue to serve under the ludicrous “don’t ask, don’t tell” policy, I wrote to my CO and admitted that I was gay thereby forcing the military to discharge me. I then began to speak very publically about my opposition to the occupation of Iraq, about veterans’ issues and about Queer Civil Rights in America. Although I miss the Marine Corps every single day, I have never regretted that decision. At the same time that I sent the letter, I went on CNN’s Paula Zahn, Now and came out of the closet in an interview, thereby saying to five million people what I at one time would not have said to one other person.
The first incarnation of the play was actually my reading it to my fellow Marines in the desert. One day, quite by “accident,” I ended up reading one of the entries I had written about this stray dog to a Marine who had sort of “adopted” the dog. He was very taken with what I had written so he began to ask me each day what I had written. Word spread and soon I was reading to several Marines each day about the things that we were all experiencing together. I think humans naturally use humor to get through hard times so in the journals, as in the play, there is a lot of laughter. I think it helped us all to weather what could be at times a very difficult experience.
The title comes from one of the journal entries. It’s part of an admonition to my fellow Americans back in the states. While at war, as my concerns about the way the war was begin orchestrated grew, I began to question the entire direction in which our nation had begun to travel. I wrote, “ We stand at a crossroads. The choice? To hold true to the principles for which we say we stand, or to go the way of every other military empire in the history of the world. Choose wisely, the eyes of Babylon are upon you.”
What made you decide to adapt your war journals and letters into play?
I felt that I had to speak out. I don’t really like it when people congratulate me on my decision to do so, because I didn’t feel like I had much of a choice. I was pretty sure that keeping quiet about the war and about “don’t ask, don’t tell” was a path to self-destruction. But I wasn’t really interested in debating the war. I was pretty depressed when I got back and the depression only grew as I came to realize that I would have to leave the Marine Corps that I loved if I was to be true to my own conscience. A big part of that was my straight Marine buddy’s unqualified support of me. In so many ways, by becoming a Marine, I had entered the brotherhood that I had always felt eluded me. For the first time in my life, I was accepted among the pack—my sexuality notwithstanding. The commitment of blood that is shared among that Band of Brothers trumps any silly, trite prejudices continually parroted by right-wingers to keep the poor voting against their best interest.
So when people asked about my time in Iraq, I was always say the same thing. “I’ll read to you from my journals.” They all said the same thing: “You have to do something with these. Publish them!” I wasn’t opposed to the idea but the depression kept me paralyzed. I had lost about twenty pounds while I was at war. When I came back, I just lived off coffee, cheeseburgers and cigarettes. The depression was exacerbated by my extreme lack of physical fitness and my extreme lack of physical fitness exacerbated the depression. It was a vicious cycle which I’m sure would sound familiar to many post-deployment servicemembers. I was in a downward spiral and I feared the worse. I was several years sober at the time (and continue to be to this day). If I had thought that taking a drink would have given me some relief, even for a few minutes, I would have done it. But it had been proven to me over and over that drinking simply doesn’t work for me. So I put other things into the hole in my spirit that I once tried to fill with alcohol. Even though I wasn’t drinking, the addictive pattern was still alive and well in my life and was destined to destroy me. I pretty much lived in the sex clubs of Los Angeles or on on-line hook up sights. I ate the unhealthiest foods I could get my hands on. I smoked like a fiend and drank so much coffee it’s a wonder I didn’t have a heart attack. I also would spend any little bit of money I got my hands on on stupid and useless shit just for the few minutes of relief the purchase seemed to bring. I knew I had to do something or I was going to be sucked all the way down. I prayed for help as I had done when I had hit my alcoholic bottom years earlier. I decided that I had to reach out even more to other alcoholics who were living sober lives. Also, getting back into physical shape was a good next step. I went back to the gym.
One day, after a particularly grueling workout, I spotted this smoking-hot guy toweling off in the locker room. In keeping with my “always on the make” lifestyle at that time, I approached him and said hello. When he spoke, I noticed he had a Middle Eastern accent, I asked him where he grew up (a Southerner’s version of “where are you from?”). He said that he lived in New York but had grown up in Tel Aviv. “Oh, I just got back from the Middle East.” I told him. “I went to Iraq as a Marine.” An IDF veteran of the 1982 Israel/Lebanon war and also a gay man himself, he was curious about my experience at war. I said to him what I always said to people when they asked me that, “I don’t really want to talk about it, but I’ll read to you from my journals.” We got dressed and went to a nearby coffee house. This man, Yuval Hadadi, is the prototype for typical Israeli male; brooding, serious, doesn’t wear his feelings on his sleeve. But when I read to him from my journals, he couldn’t conceal his passion for my writing. Even though we had those other experiences in common; war, serving in the military as gay men, it was really his connection to my writing that began the relationship.
I had a degree in Theatre before I ever joined the Marine Corps (I might have been the only Theatre major in the whole USMC!)
Yuval was about to wrap up a film that he had been directing in LA. He said that he would stay on his own dime if I would consent to let him direct me in a solo performance piece using the journals as the script. His belief in me and in my writing helped to start the long process of pulling out of my PTSD paralysis and depression and into action. He kicked my ass. We flirted and fought our way through a six-week rehearsal process until, on a warm October evening in a small theatre in Hollywood, The Eyes of Babylon opened.
Clearly this is a timely topic both with the continuing war in Iraq and Afghanistan, and the recent developments with Don't Ask Don't Tell. I'm interested in your thoughts about the possible repeal of DADT.
Mostly I’m furious. That sounds awful to say and I am forever grateful to the other people who have worked for so long to end this very un-American policy but at the same time I am absolutely astounded that it has taken this long. I certainly don’t think that’s the fault of the good people working so hard to lift the ban. With all the very serious issues facing our nation; multiple wars, a disastrous economy, how the hell can we continue to justify spending so much time and money on something so asinine as forcing people who are willing to give their lives for this ungrateful country to lie about who they are? It is unforgivable and history will look very dimly on those who have fought so hard on the wrong side, just in the ways it looks back unkindly on those who fought so hard against other forms of Civil Rights. America is for all of us. Otherwise, we might as well close up shop.
I have a straight buddy who’s currently deployed to Afghanistan, and yes he really is straight. On opening night when I got to my dressing room, he had sent flowers from a combat zone! Another man who’s deployed there, whom I’ve never met but saw the Showtime documentary about the play (Semper Fi: One Marine’s Journey) found me on Facebook and sent me a message. “I won’t get home from Afghanistan until August but I want to buy my mom a ticket so she can come.” Can you believe that?! What a great son. What a great man. I’ll bet he’s a great Marine as well. Of course I wrote back to him and told him there was no way in hell I was going to let him buy his mother a ticket. She will come as my guest. My own mom is flying from Alabama to see her baby on stage in New York and that’s Marine’s mom will come with her to see it. What an honor it will be to perform to those two women.
As you mentioned, you came out very publicly on CNN. What was that like and what sort of reaction did you get?
You know what? When I walked out of the CNN bureau in Los Angles that day, I felt like the weight of the world had been lifted off my shoulders. And as difficult as it was, I knew that I would never, could never lie about who I was ever again. No one should ever have to hide who he or she is because of the stupidity of other people. There is absolutely nothing wrong with being gay and the viciousness toward young kids who are LGBTQ and have to live day after day in self-loathing and secrecy is unconscionable. On that day, I just kept thinking that maybe there was some twelve year-old version of myself out there watching that interview who could see me and say, “Well he seems to be okay with who he is. Maybe there’s hope for me.”
These kids are our kids and it’s up to us to protect them. I’m all for being (somewhat) patient as Americans continue to gain education around LGBTQ issues but we must never allow that process to take precedence over looking out for the well-being of our precious queer kids. The ignorance of the masses is not the fault of the kids. They deserve an equal chance at life and all the joy it can bring.
If you could offer any advice to someone who is struggling with the decision to come out, what would you say?
I would say that sometimes the feared repercussions of coming out are real. Unfortunately some people based on their lack of understanding will withdraw from us. But the ones that matter don’t mind and the ones that mind don’t matter. Even some who have a rough time with our becoming honest will ultimately come around. When I came out to my parents, my mother said, “You can’t expect us to accept this” and my dad said, “You know what the bible says about that.” But over time they grew in understanding, and ultimately they were in my wedding along with my straight Marine buddies who performed the famed “arch of swords” as Joan Baez sang “Gracias a la Vida.” It really does get better.
My ongoing recovery from alcoholism has taught me the great value in reaching out to others who have gone down that path before me. The same goes for when people decide to live their lives honestly regarding their sexuality. Seek out people who’ve gone through the experience themselves and let their wisdom and love carry you through.
We care about you! Your other family is waiting for you.
You're active with Iraq Veterans Against the War and are the founding board member of The Mehadi Foundation. Tell me a little bit about these organizations and your involvement with them.
I was one of the early members of Iraq Veterans Against the War. I love those people with all my heart and have been on the front lines of the peace movement with them for years. It takes great courage to speak out, especially when it is unpopular to do so. IVAW has three “points of unity,” 1) To bring the troops home now, 2) take care of them when they get here and 3) make reparations to the innocent civilians in Iraq and Afghanistan who have suffered because of the US invasions and occupations. I still very much support these points of unity. I do have a concern for the organization as well as for the “left-wing” in America in general. I came to the anti-war movement because I believed (and still do believe) that America’s war policy in Iraq was dangerous, illegal under the Geneva Conventions and immoral. I care very deeply for our troops and to me, their lives were being squandered for monetary gain. But as soon as I went public on this issue, I noticed that I was being “pulled” toward some platforms that do not reflect my point of view. I can see the injury that unrestricted capitalism causes, but I am also not a communist. I don’t trust the government with the money and power we give them now. (They’ve proven they cannot me trusted.) Why in the hell would I want to afford them more money and power? Also, when I was a little boy, I can remember coming up on roadblocks set up to raise money for the Ku Klux Klan. I mean there were literally men standing there in their white sheet costumes taking up money to help spread their message of hate! I just sat there in the back seat and shook and hoped they couldn’t see my homosexuality. A lot of their hatred was directed toward blacks but they also had a blanket contempt for gays and Jews. In the 90s the anti-Semitic/homophobic voice found its home in the neo-Nazi/skinhead movement. In 2011, I have to question where that voice is now. I know that vicious anti-gay rhetoric floods continuously from the pulpits of right-wing Christian fundamentalist churches but where is that voice that wants the destruction of Israel and calls for the killing of Jews? I believe it has found a comfortable home hidden away in the comfortable guise of advocating for the Palestinians. Now don’t get me wrong, I’m an advocate for the Palestinians as well and would love to see an end to their suffering. I also know that Israel (like my own nation) has committed horrible atrocities, mostly out of fear (again, like my own nation.) But I do not want to see the nation of Israel destroyed. In fact, as a gay man who’s people died alongside the Jews in the camps in Europe during the Holocaust, I’ll be damned if I’m going to start fighting on the wrong side. Compare life for gays in Tel Aviv to life for gays in Tehran. There is no comparison. The way to helping the Palestinians is definitely not by granting legitimacy to organizations who advocate for the execution of gay people. Hamas, Fatah, the Hezbollah and The Palestinian Authority all do. When they come for me and my Jewish friends this time to disappear us away to death camps, they will meet me at the end of my 2nd Amendment. I know that makes me a bad “peace activist” but that’s the way it is. And I don’t care who in the American left gets pissed off to hear me say so.
There is a resolution which will come to a vote at the Iraq Veterans Against the War convention in August which calls for Israel to return to 1948 borders. If it passes, I will resign from the Board of Directors and leave the organization. (http://www.ivaw.org/)
The Mehadi Foundation is named for a young Iraq boy I met while deployed there. His spirit of hope in great adversity to me symbolized all that I wanted my charity foundation to stand for. We have two missions. 1) To support veterans of the Iraq and Afghanistan Wars and 2) to support philanthropic/humanitarian efforts to help the innocent civilians in those two countries who have suffered so immeasurably over the last ten years. The main way we aspire to help the veterans (especially those who have begun to self-medicate PTSD with drug, alcohol and process addiction) is to teach creativity as a healing practice. In other words, I want to help them to learn to do what I have done; tell their own story through some creative outlet. It has been my salvation. We also want to get the vets involved in fulfilling the second part of our mission. Helping those who’ve suffered seems to provide solace for those who were involved in causing that suffering. That coupled with the “simple” benefit of helping others makes for a wonderful experience. We have gotten badly needed water filter into schools and provided wheelchairs for those who would otherwise have no access to them. Our dream is to continue to grow in our ability to help with regard to both sides of our mission. We are an IRS recognized 501(c)3 and survive by the donations of those who believe in what we stand for. http://www.mehadifoundation.org/
You have the play and your nonprofit work. What else is going on in your life?
About seven years ago, I decided to stop looking for the man of my dreams and become him instead. I came to a place where I was tired of looking for someone to “complete” me. I am complete person on my own and I think any person who brings “part of a person” to a relationship in hopes that it will complete him, dooms the relationship from the start. I began to love who I was. It wasn’t long after that that I meant Adam Nelson. (The story of our meeting could make for an entire interview so I won’t go into it here.) He is the kind of man that, every single day I look at him and say, “Really?! He’s really mine?” He is my best friend, my biggest fan, he welcomes my support as he pursues his goals and dreams of becoming a physician. He’s a third-year medical student at the University of Utah in Salt Lake where we live with our four-legged, furry babies. I basically commute to New York as I pursue my goals and dreams as a writer, actor and travel the nation as an activist. We’re hoping that he will be able to do his residency in New York so we can be together all the time again. It’s hard, but our marriage is forged in fire so I think we’ll make out just fine. Incidentally, I think he is the sexiest man alive and I’m getting turned on just writing about him.
If you could say anything to your potential audience, what would it be?
I would say stop being a “potential” audience member and become and audience member. This play is my love letter to the world. It’s what I learned as I walked through war. Please don’t let that be wasted. I’m a man of meager means but I care about humanity. I care about what happens to my country and to all people. We go up against big budget productions who have millions for advertising and we depend on word-of-mouth and the press to fill the seats. If you care about peace, if you care about what’s happening to our troops and if you care at all about “don’t ask, don’t tell” and LGBTQ Civil Rights in general, please take the time to stop in and hear what I have to say. I can promise you a lot of laughs along the way and hopefully you’ll leave feeling inspired to keep marching forward with the rest of us who knew that the brightest days are still ahead.
Monday, June 27, 2011
Tonight - CABARETION 2.0! Honoring Charles Busch
The New York Innovative Theatre Foundation, the organization dedicated to celebrating Off-Off-Broadway,
will Charles Busch with the 2011 Innovative Theatre Luminary Award
at CABARETION 2.0!
[KA-ba-'RAY-sh-un !], noun - The fusion of contribution, performance, and celebration of the Off-Off-Broadway community.
Monday, June 27, 2011
6 - 9 pm
Therapy's upstairs lounge
348 West 52nd Street
Tickets begin at $40 per guest and can be purchased at www.nyitawards.com/shop.
Host: Harrison Greenbaum
Performers:
Internet sensation Drew Droege
Three Tenors in Search of an Act
Tracie Franklin
Christopher Weikel
Special Guests:
Charles Busch
Julie Halston
Carl Andress
In a special presentation by Julie Halston, the 2011 Innovative Theatre Luminary Award will be presented to Charles Busch. A luminary is someone who is an inspiration to others and has achieved eminence in their field.
As an Off-Off-Broadway alumnus, Busch knows the challenges that face artists in this sector. Busch was one of the founders of the legendary OOB company Theatre in Limbo in the 1980's, where he honed his skills on such plays as Sleeping Beauty or Coma and Psycho Beach Party. It was the Theatre in Limbo's production of Vampire Lesbians of Sodom that first propelled Busch into the lime light. While he has reached great success, he continues to be a part of the OOB community. He was the first host for the Innovative Theatre Awards in 2006, celebrating the Off-Off-Broadway community and his roots. His productions of Shanghai Moon (1999) and The Divine Sister (2010) both premiered at the OOB house, Theatre for a New City. His dedication, generosity and numerous talents continue to be an inspiration to his fellow artists.
"I'm enormously touched to be recognized by the Innovative Theatre Awards," says Mr. Busch. "From the beginning, my career has taken me on a twisted and frequently fascinating back road. I'm delighted if my experience has in some way illuminated that path for young artists to travel."
The $40 ticket includes:
The special award presentation
Cabaret performance
1 hour of passed hors d'oeuvres
3 hours of open beer and wine bar
CABARETION 2.0!
Monday, June 27, 2011
6pm to 9pm
At Therapy - The Upstairs Lounge
348 West 52nd Street (between 8th and 9th Avenues)
Tickets begin at $40 per guest and can be purchased at www.nyitawards.com/shop.
will Charles Busch with the 2011 Innovative Theatre Luminary Award
at CABARETION 2.0!
[KA-ba-'RAY-sh-un !], noun - The fusion of contribution, performance, and celebration of the Off-Off-Broadway community.
Monday, June 27, 2011
6 - 9 pm
Therapy's upstairs lounge
348 West 52nd Street
Tickets begin at $40 per guest and can be purchased at www.nyitawards.com/shop.
Host: Harrison Greenbaum
Performers:
Internet sensation Drew Droege
Three Tenors in Search of an Act
Tracie Franklin
Christopher Weikel
Special Guests:
Charles Busch
Julie Halston
Carl Andress
In a special presentation by Julie Halston, the 2011 Innovative Theatre Luminary Award will be presented to Charles Busch. A luminary is someone who is an inspiration to others and has achieved eminence in their field.
As an Off-Off-Broadway alumnus, Busch knows the challenges that face artists in this sector. Busch was one of the founders of the legendary OOB company Theatre in Limbo in the 1980's, where he honed his skills on such plays as Sleeping Beauty or Coma and Psycho Beach Party. It was the Theatre in Limbo's production of Vampire Lesbians of Sodom that first propelled Busch into the lime light. While he has reached great success, he continues to be a part of the OOB community. He was the first host for the Innovative Theatre Awards in 2006, celebrating the Off-Off-Broadway community and his roots. His productions of Shanghai Moon (1999) and The Divine Sister (2010) both premiered at the OOB house, Theatre for a New City. His dedication, generosity and numerous talents continue to be an inspiration to his fellow artists.
"I'm enormously touched to be recognized by the Innovative Theatre Awards," says Mr. Busch. "From the beginning, my career has taken me on a twisted and frequently fascinating back road. I'm delighted if my experience has in some way illuminated that path for young artists to travel."
The $40 ticket includes:
The special award presentation
Cabaret performance
1 hour of passed hors d'oeuvres
3 hours of open beer and wine bar
CABARETION 2.0!
Monday, June 27, 2011
6pm to 9pm
At Therapy - The Upstairs Lounge
348 West 52nd Street (between 8th and 9th Avenues)
Tickets begin at $40 per guest and can be purchased at www.nyitawards.com/shop.
Friday, June 24, 2011
New York Neo-Futurists to Present 5th Anniversary Edition of LGBT-Themed "Too Much Light Makes the Baby Go Blind" This Weekend
Recipients of the 2010 New York Innovative Theatre Awards Cafe Cino Fellowship
“Best Performance Artists in New York”-Village Voice
“2009 Artists of the Year”-Artists Forum Magazine
“2009 People of the Year”-nytheatre.com
30 short plays, curated from the past five years of LGBTQ-themed Neo-Futurist plays (with several newly commissioned works written exclusively for this Pride Show), reveal the struggle, the joy, the power of being out and proud in New York City in support of acceptance and freedom for all the world's citizens.
Too Much Pride Makes the Baby Go Gay: 30 Gay Plays in 60 Straight Minutes, will be raising money to benefit LGBTQ advocacy in Uganda through the Fund for Global Human Rights, in an effort to combat the continued push for legislation that could make it a criminal offense to be gay, with punishment by imprisonment and even execution, and to reverse the hatred and violence which led to recent murder of gay Ugandan activist David Kato.
The cast will include current New York Neo-Futurists Christopher Borg, Roberta Colindrez, Cara Francis, Ryan Good, Nicole Hill, Jacquelyn Landgraf, Dan McCoy, Joey Rizzolo, brand new Neo-Futurists Cecil Baldwin and Kate Jones, and Neo-Futurists alums Yeauxlanda Kay and Sarah Levy. Founding New York Neo-Futurist and award-winning slam poet Regie Cabico is scheduled to open both shows with a spoken word performance.
Tickets are $20.00. Advance tickets can be purchased online at http://www.nyneofuturists.org/ or by calling 212-352-3101.
For more information visit http://www.nyneofuturists.org/
THE NEW YORK NEO-FUTURISTS are an ensemble of dynamic writer/performer/directors who present the critically acclaimed, energetic show of original short plays, Too Much Light Makes the Baby Go Blind--a non-illusory collage of the comic and tragic, the political and personal, the visceral and experimental, while embracing chance, change, and chaos. Developing out of the format that has been a success in Chicago since 1988, the New York NeoFuturists have roots in NYC from the mid 90’s. Since opening TML in New York, they have created over 2,300 plays and continue to present new and vital work every weekend in the East Village. For more info: http://www.nynf.org/
FUND FOR GLOBAL HUMAN RIGHTS Securing basic dignity and freedom for people worldwide requires that front-line organizations challenge abuse wherever it occurs. The Fund finds and funds local human rights heroes who often work at great personal risk to strengthen and bring global attention to their struggles. For more info: http://www.globalhumanrights.org/
Tuesday, June 21, 2011
Interview with Mark Jason Williams of "The Other Day"
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Monday, June 20, 2011
1ST ANNUAL OFF BROADWAY ALLIANCE AWARDS RECEPTION TO BE HELD AT SARDI’S JUNE 21
The Off Broadway Alliance, the organization of Off Broadway producers, theaters, general managers, press agents and marketing firms, will present the inaugural Off Broadway Alliance Awards Reception on Tuesday, June 21, 2011 at Sardi’s. Honorees will be on hand to receive their awards and Romulus Linney, Ellen Stewart and Lanford Wilson will be posthumously inducted into the Off Broadway Hall of Fame.
The announcement was made today by Peter Breger, Chairman of the Off Broadway Alliance.
“Off Broadway’s vibrant contributions to the cultural and economic fiber of New York City are on display from Broadway to the Bowery, from the Upper West Side to the Lower East Side, in theaters, concert halls, places of worship and even a hotel,” said Breger. “What an auspicious time to honor the best of Off Broadway past and present and to celebrate the 2011 theater season.”
Among the attendees will be Legend of Off Broadway honorees Charles Busch, Julie Halston, Tom Jones, Everett Quinton and Blue Man Group. Tanya Berezin, a founder of Circle Repertory Theater, will posthumously honor Off Broadway Hall of Fame inductee Lanford Wilson and Laura Callanan will posthumously honor her husband, Hall of Fame inductee Romulus Linney.
Other honorees scheduled to appear include producer Tom D’Angora and Christine Pedi accepting the award for Best New Musical for NEWSical the Musical: Full Spin Ahead; Playwright Mark St. Germain and the cast of Freud’s Last Session accepting the award for Best New Play; Lori Fineman, executive director of The Transport Group, accepting the award for Best Musical Revival for Hello Again; Punchdrunk accepting their award for Best Unique Theatrical Event for Sleep No More; and Colin Lewellyn and Danielle Pakradooni accepting the Best Long-Running Show Award for Blue Man Group.
Other distinguished guests include The Book of Mormon’s Andrew Rannells and Lewis Cleale as well as Rita Gardner and Blaire Stauffer – the original Luisa and Mute in the 1960 company of The Fantasticks.
The awards honor outstanding achievement in Off Broadway theater for the 2010-2011 season. Admission to the awards ceremony is by invitation only.
The Off Broadway Alliance is a non-profit corporation organized by theater professionals dedicated to supporting, promoting and encouraging the production of Off Broadway theater and to making live theater increasingly accessible to new and diverse audiences. The Alliance holds monthly meetings and membership is open to everyone in the Off Broadway theater community.
Among its initiatives, The Off Broadway Alliance founded and sponsors 20at20, the biannual event where you can buy $20 tickets to dozens of Off Broadway shows twenty minutes before curtain. It produces a free Seminar Series focusing on the culture, business and history of Off Broadway featuring major players from the Off Broadway scene. It also administers the free "This Day in Off Broadway History" online calendar. The Alliance released the first ever Off Broadway Economic Impact Report, which detailed Off Broadway's $461 million annual impact on the economy of the City of New York.
The announcement was made today by Peter Breger, Chairman of the Off Broadway Alliance.
“Off Broadway’s vibrant contributions to the cultural and economic fiber of New York City are on display from Broadway to the Bowery, from the Upper West Side to the Lower East Side, in theaters, concert halls, places of worship and even a hotel,” said Breger. “What an auspicious time to honor the best of Off Broadway past and present and to celebrate the 2011 theater season.”
Among the attendees will be Legend of Off Broadway honorees Charles Busch, Julie Halston, Tom Jones, Everett Quinton and Blue Man Group. Tanya Berezin, a founder of Circle Repertory Theater, will posthumously honor Off Broadway Hall of Fame inductee Lanford Wilson and Laura Callanan will posthumously honor her husband, Hall of Fame inductee Romulus Linney.
Other honorees scheduled to appear include producer Tom D’Angora and Christine Pedi accepting the award for Best New Musical for NEWSical the Musical: Full Spin Ahead; Playwright Mark St. Germain and the cast of Freud’s Last Session accepting the award for Best New Play; Lori Fineman, executive director of The Transport Group, accepting the award for Best Musical Revival for Hello Again; Punchdrunk accepting their award for Best Unique Theatrical Event for Sleep No More; and Colin Lewellyn and Danielle Pakradooni accepting the Best Long-Running Show Award for Blue Man Group.
Other distinguished guests include The Book of Mormon’s Andrew Rannells and Lewis Cleale as well as Rita Gardner and Blaire Stauffer – the original Luisa and Mute in the 1960 company of The Fantasticks.
The awards honor outstanding achievement in Off Broadway theater for the 2010-2011 season. Admission to the awards ceremony is by invitation only.
The Off Broadway Alliance is a non-profit corporation organized by theater professionals dedicated to supporting, promoting and encouraging the production of Off Broadway theater and to making live theater increasingly accessible to new and diverse audiences. The Alliance holds monthly meetings and membership is open to everyone in the Off Broadway theater community.
Among its initiatives, The Off Broadway Alliance founded and sponsors 20at20, the biannual event where you can buy $20 tickets to dozens of Off Broadway shows twenty minutes before curtain. It produces a free Seminar Series focusing on the culture, business and history of Off Broadway featuring major players from the Off Broadway scene. It also administers the free "This Day in Off Broadway History" online calendar. The Alliance released the first ever Off Broadway Economic Impact Report, which detailed Off Broadway's $461 million annual impact on the economy of the City of New York.
Friday, June 17, 2011
Drunken! Careening! Writers! - Glitter and Be Gay Edition
Drunken! Careening! Writers!
"Glitter and Be Gay"
Featuring: Isa Coffey, Joel Derfner, Jenifer Levin and Bob Smith
Thursday, June 23 · 7:00pm - 10:00pm
KGB Bar
85 E. 4th St.
New York, New York
FREE!
Drunken! Careening! Writers! is a reading series based on the proposition that all readings should be by: 1) Good Writers; 2) Who read their work well; 3) Something in it makes people laugh (nervous laughter counts). And 15 minutes tops.
ISA COFFEY was turned down last summer (post hire) for a job teaching high school sexuality after the faculty scanned the web only to discover that she didn't use a pseudonym for writing smut. When not writing work inappropriate for high school students, Isa Coffey can be found teaching tenderly raucous sexuality workshops including how to whip up aphrodisiac liqueurs; puff on erotic smoke; and, once and for all, find that elusive clitoris. Her work has been seen in Best Lesbian Erotica 2008 and the award-winning Sometimes She Lets Me.
JOEL DERFNER is from Charleston, South Carolina, where his great-grandmother had an affair with George Gershwin. Musicals to which he's written the score have played in London, New York, and several cities in between (going counterclockwise). Joel is or has been an aerobics instructor, a knitter, a go-go boy, a math teacher, a cheerleader, and the author of Gay Haiku and Swish: My Quest to Become the Gayest Person Ever and What Happened Instead. He can be found at joelderfner.com.
JENIFER LEVIN is the Author of novels Water Dancer, Snow, Shimoni's Lover, and The Sea of Light; short story collection Love and Death, & Other Disasters. Short fiction and nonfiction widely anthologized. Have written for the New York Times, Rolling Stone, the Washington Post, Forward, and others. Taught fiction writing at the University of Michigan in Ann Arbor, and at The Writer's Voice in NYC, back when it was a fun place. My new nonfiction and fiction old and new will be available this year through publisher UnTreed Reads...anywhere Ebooks are sold.
Bob Smith's Lambda Literary Award winning collection of essays Openly Bob was published to acclaim by Rob Weisbach Books/William Morrow. Way To Go, Smith! was also nominated for a Lammy. Bob's comic essays have appeared in the anthologies: America's Best Contemporary Humorists: Mirth of A Nation, 101 Damnations and When I Knew edited by Robert Trachtenberg. Bob's first novel, Selfish and Perverse, was published by Carroll & Graf in Sept 2007 and his second, Remembrance of Things I Forgot is available everywhere fine books are sold as of June, 2011.
For more information, email careeningwriters@aol.com, or visit http://www.kathleenwarnock.com/.
"Glitter and Be Gay"
Featuring: Isa Coffey, Joel Derfner, Jenifer Levin and Bob Smith
Thursday, June 23 · 7:00pm - 10:00pm
KGB Bar
85 E. 4th St.
New York, New York
FREE!
Drunken! Careening! Writers! is a reading series based on the proposition that all readings should be by: 1) Good Writers; 2) Who read their work well; 3) Something in it makes people laugh (nervous laughter counts). And 15 minutes tops.
ISA COFFEY was turned down last summer (post hire) for a job teaching high school sexuality after the faculty scanned the web only to discover that she didn't use a pseudonym for writing smut. When not writing work inappropriate for high school students, Isa Coffey can be found teaching tenderly raucous sexuality workshops including how to whip up aphrodisiac liqueurs; puff on erotic smoke; and, once and for all, find that elusive clitoris. Her work has been seen in Best Lesbian Erotica 2008 and the award-winning Sometimes She Lets Me.
JOEL DERFNER is from Charleston, South Carolina, where his great-grandmother had an affair with George Gershwin. Musicals to which he's written the score have played in London, New York, and several cities in between (going counterclockwise). Joel is or has been an aerobics instructor, a knitter, a go-go boy, a math teacher, a cheerleader, and the author of Gay Haiku and Swish: My Quest to Become the Gayest Person Ever and What Happened Instead. He can be found at joelderfner.com.
JENIFER LEVIN is the Author of novels Water Dancer, Snow, Shimoni's Lover, and The Sea of Light; short story collection Love and Death, & Other Disasters. Short fiction and nonfiction widely anthologized. Have written for the New York Times, Rolling Stone, the Washington Post, Forward, and others. Taught fiction writing at the University of Michigan in Ann Arbor, and at The Writer's Voice in NYC, back when it was a fun place. My new nonfiction and fiction old and new will be available this year through publisher UnTreed Reads...anywhere Ebooks are sold.
Bob Smith's Lambda Literary Award winning collection of essays Openly Bob was published to acclaim by Rob Weisbach Books/William Morrow. Way To Go, Smith! was also nominated for a Lammy. Bob's comic essays have appeared in the anthologies: America's Best Contemporary Humorists: Mirth of A Nation, 101 Damnations and When I Knew edited by Robert Trachtenberg. Bob's first novel, Selfish and Perverse, was published by Carroll & Graf in Sept 2007 and his second, Remembrance of Things I Forgot is available everywhere fine books are sold as of June, 2011.
For more information, email careeningwriters@aol.com, or visit http://www.kathleenwarnock.com/.
Liza Minnelli Tickets On Sale Friday at 10 AM
LIZA MINNELLI
ON SALE THIS FRIDAY, JUNE 17 AT 10AM
Join Liza as she performs her biggest hits and holiday songs in NJPAC's beautiful Prudential Hall.
Friday, December 16, 8:00PM
NJPAC
Newark, NJ
Tickets: $39 - $125 (plus applicable fees)
**On Sale Friday, June 17 At 10AM**
Buy Tickets
Liza Minnelli is a star who’s truly earned the status of “living legend.” For her work on stage and screen, Minnelli has won all of the entertainment world’s major awards, including the Oscar (for her iconic performance in Cabaret), the Emmy, the Tony, and the Grammy. For this NJPAC engagement, Minnelli will bring a holiday-themed concert that’s sure to light up NJPAC’s Prudential Hall with some major star power.
ON SALE THIS FRIDAY, JUNE 17 AT 10AM
Join Liza as she performs her biggest hits and holiday songs in NJPAC's beautiful Prudential Hall.
Friday, December 16, 8:00PM
NJPAC
Newark, NJ
Tickets: $39 - $125 (plus applicable fees)
**On Sale Friday, June 17 At 10AM**
Buy Tickets
Liza Minnelli is a star who’s truly earned the status of “living legend.” For her work on stage and screen, Minnelli has won all of the entertainment world’s major awards, including the Oscar (for her iconic performance in Cabaret), the Emmy, the Tony, and the Grammy. For this NJPAC engagement, Minnelli will bring a holiday-themed concert that’s sure to light up NJPAC’s Prudential Hall with some major star power.
Thursday, June 16, 2011
Planet Connections Second Annual LGBT Date Auction
Join Planet Connections Theatre Festivity on June 17th at 9PM for an evening of love, glitter and pink punch!
Drag diva Muffy Mailbox hosts this year’s extravaganza, benefitting the LGBT Center of New York. They’re auctioning off members of the Planet Connections community as well as the fabulous LGBT community at large, including a special MYSTERY COUPLE! This is an evening not to missed, complete with glitter tattoos, pink punch, and paddles (to bid with! What were you thinking?).
Each delightful dateable comes complete with a date to go on! Dates include wine tastings and gift cards to some of the city’s hottest spots. Bids start at $5 and everything raised during the auction goes directly to The Center!
Free for Festivity Participants. $5 for all others.
$10 to purchase a bidder’s paddle which will be refunded to the winning bid!
http://www.gaycenter.org/
Friday, June 17 at 9:00PM
The Gene Frankel Theatre
24 Bond Street
New York, NY 10012
The closest subway is the Broadway and Lafayette Station: 6, F, M, B & D train
Drag diva Muffy Mailbox hosts this year’s extravaganza, benefitting the LGBT Center of New York. They’re auctioning off members of the Planet Connections community as well as the fabulous LGBT community at large, including a special MYSTERY COUPLE! This is an evening not to missed, complete with glitter tattoos, pink punch, and paddles (to bid with! What were you thinking?).
Each delightful dateable comes complete with a date to go on! Dates include wine tastings and gift cards to some of the city’s hottest spots. Bids start at $5 and everything raised during the auction goes directly to The Center!
Free for Festivity Participants. $5 for all others.
$10 to purchase a bidder’s paddle which will be refunded to the winning bid!
http://www.gaycenter.org/
Friday, June 17 at 9:00PM
The Gene Frankel Theatre
24 Bond Street
New York, NY 10012
The closest subway is the Broadway and Lafayette Station: 6, F, M, B & D train
This Month's Title Photo
This month's photo comes from The Eyes of Babylon, part of Americas Off Broadway at 59E59 Theaters. Photo courtesy of the Mehadi Foundation and features actor and playwright Jeff Key.
U.S. Marine Jeff Key transforms his Iraq journal into a gritty, humorous and poetic solo performance about going to war as a 34-year-old gay man at the heady start of the Iraq invasion.
Launching with 9/11, traveling through the Iraqi desert and finally “coming out” on CNN, The Eyes of Babylon is a personal, poignant story of one brave marine’s personal battle with the war, his country and himself.
U.S. Marine Jeff Key transforms his Iraq journal into a gritty, humorous and poetic solo performance about going to war as a 34-year-old gay man at the heady start of the Iraq invasion.
Launching with 9/11, traveling through the Iraqi desert and finally “coming out” on CNN, The Eyes of Babylon is a personal, poignant story of one brave marine’s personal battle with the war, his country and himself.
Wednesday, June 15, 2011
Iraq War and Don’t Ask Don’t Tell explored in "The Eyes of Babylon"
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) announces the New York City premiere of The Eyes of Babylon, written and performed by Jeff Key and directed by Yuval Hadadi, which is part of Americas Off Broadway. The Eyes of Babylon begins previews on Tuesday, June 14 for a limited engagement through Sunday, July 3. The performance schedule is Tuesday - Thursday at 7:15 PM; Friday at 8:15 PM; Saturday at 2:15 PM and 8:15 PM; and Sunday at 3:15 PM and 7:15 PM. The regular ticket price is $35 ($24.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or visit http://www.59e59.org/.
U.S. Marine Jeff Key transforms his Iraq journal into a gritty, humorous and poetic solo performance about going to war as a 34-year-old gay man at the heady start of the Iraq invasion.
Launching with 9/11, traveling through the Iraqi desert and finally “coming out” on CNN, The Eyes of Babylon is a personal, poignant story of one brave marine’s personal battle with the war, his country and himself.
Jeff Key (playwright/actor) is a former Marine, Iraq war veteran, peace activist and queer civil rights activist. He sits on the Board of Directors for Iraq Veterans Against the War and is the founding board member of The Mehadi Foundation, which provides support for returning veterans and develops philanthropic projects; specifically, clean water supplies and other basic necessities in Iraq and Afghanistan. Key is an award-winning playwright, performer and author of The Eyes of Babylon and two other plays in development. He is also the subject of the Showtime documentary "Semper Fi." Key lives in Salt Lake City with his husband, Adam, a second-year medical student at the University of Utah.
Born and raised in Israel, Yuval Hadadi (director) moved to NYC in 1993 and became Co-Artistic Director for the Absolute Theatre Company. Among his productions are King Lear and The Taming of the Shrew by William Shakespeare and Soil by Charles Drew Jr., which had its world premiere Off Broadway at the Mint Theater. Hadadi also directed for The Habitual Theater Company, The House of Tribes in NYC, The Long Wharf Theatre in New Haven, CT, as well as regional theater. In the '99-'00 season, he was Assistant Director at The Public Theater. His Los Angeles theatre directing credits include Soil at the Lillian Theatre, the long running 21 Stories: A Broadway Tale at the Elephant Theatre, and The Eyes Of Babylon, which is the recipient of an Ovation nomination as well as the subject of a Showtime documentary. Currently, Hadadi serves as the artistic advisor for the new Broadway musical In a Word…Wow! by Kenneth Bonavitacola.
U.S. Marine Jeff Key transforms his Iraq journal into a gritty, humorous and poetic solo performance about going to war as a 34-year-old gay man at the heady start of the Iraq invasion.
Launching with 9/11, traveling through the Iraqi desert and finally “coming out” on CNN, The Eyes of Babylon is a personal, poignant story of one brave marine’s personal battle with the war, his country and himself.
Jeff Key (playwright/actor) is a former Marine, Iraq war veteran, peace activist and queer civil rights activist. He sits on the Board of Directors for Iraq Veterans Against the War and is the founding board member of The Mehadi Foundation, which provides support for returning veterans and develops philanthropic projects; specifically, clean water supplies and other basic necessities in Iraq and Afghanistan. Key is an award-winning playwright, performer and author of The Eyes of Babylon and two other plays in development. He is also the subject of the Showtime documentary "Semper Fi." Key lives in Salt Lake City with his husband, Adam, a second-year medical student at the University of Utah.
Born and raised in Israel, Yuval Hadadi (director) moved to NYC in 1993 and became Co-Artistic Director for the Absolute Theatre Company. Among his productions are King Lear and The Taming of the Shrew by William Shakespeare and Soil by Charles Drew Jr., which had its world premiere Off Broadway at the Mint Theater. Hadadi also directed for The Habitual Theater Company, The House of Tribes in NYC, The Long Wharf Theatre in New Haven, CT, as well as regional theater. In the '99-'00 season, he was Assistant Director at The Public Theater. His Los Angeles theatre directing credits include Soil at the Lillian Theatre, the long running 21 Stories: A Broadway Tale at the Elephant Theatre, and The Eyes Of Babylon, which is the recipient of an Ovation nomination as well as the subject of a Showtime documentary. Currently, Hadadi serves as the artistic advisor for the new Broadway musical In a Word…Wow! by Kenneth Bonavitacola.
The Eyes of Babylon Teaser Reel from Semaphore Projects on Vimeo.
Tom Judson Returns to Dixon Place in "The Tom Judson Show"
In the wake of the smash run of his Canned Ham at Dixon Place this past March, Tom Judson returns for a special two-performance preview of his new show, The Tom Judson Show, which will run in Provincetown, MA from the end of June through mid-September. Prepare yourself for a tune-filled evening of songs both familiar and new; including a handful written by Tom himself.
“Since the musical sections of Canned Ham went over so well,” explains Tom, “I thought I’d try to do something along the lines of a more straightforward cabaret evening. Of all the different genres I’ve worked in over the years, cabaret (as opposed to Cabaret) is one form that I’ve missed. I think it’ll be fun.”
This time, though, he’ll stick to just the piano. Of course The Man Who Was Gus Mattox won’t disappoint the fans of his adult work. Skin will most likely be bared. “Y’know, to sell tickets,” says Tom. “I’ve never had a problem with gratuitous nudity.”
“Mostly, though, I have this great trove of terrific, little-known songs that I’d like to share with people. Of course there will be some stories from my crazy life thrown in, and some give-and-take with the audience. Maybe I’ll have a Q&A so they can ask me about things I didn’t cover in Canned Ham. I might even interview them.”
The Tom Judson Show
Written and Performed by Tom Judson
Directed by Michael Schiralli
Friday, June 24th - 7:30PM
Saturday, June 25th - 7:30PM
Dixon Place
161A Chrystie Street
(Delancey/Rivington)
Tickets: $15 / $12 (stu/sen) in advance; $18 / $15 (stu/sen) at the door
“Since the musical sections of Canned Ham went over so well,” explains Tom, “I thought I’d try to do something along the lines of a more straightforward cabaret evening. Of all the different genres I’ve worked in over the years, cabaret (as opposed to Cabaret) is one form that I’ve missed. I think it’ll be fun.”
This time, though, he’ll stick to just the piano. Of course The Man Who Was Gus Mattox won’t disappoint the fans of his adult work. Skin will most likely be bared. “Y’know, to sell tickets,” says Tom. “I’ve never had a problem with gratuitous nudity.”
“Mostly, though, I have this great trove of terrific, little-known songs that I’d like to share with people. Of course there will be some stories from my crazy life thrown in, and some give-and-take with the audience. Maybe I’ll have a Q&A so they can ask me about things I didn’t cover in Canned Ham. I might even interview them.”
The Tom Judson Show
Written and Performed by Tom Judson
Directed by Michael Schiralli
Friday, June 24th - 7:30PM
Saturday, June 25th - 7:30PM
Dixon Place
161A Chrystie Street
(Delancey/Rivington)
Tickets: $15 / $12 (stu/sen) in advance; $18 / $15 (stu/sen) at the door
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